Of course nothing is guaranteed, but I made a list of 20 official Spotify playlists that our songs would fit well on like All Funked Up, Bedroom Jams, Disco Forever, Easy on Sunday, Feel Good Dinner – smaller niche playlists of under 1M followers – and sent it over. You retain 100% of your rights no matter who you use. CD Baby’s customer support and marketing director had been cagey about what was going on and no one could get a straight answer. a couple years ago and has become extremely corporate because of it. In fact, I haven't received so much as a phone call or e-mail from an interested party (cue the crickets). It’s completely unprofessional and I f*cking love it for that. So, this is the only other company that does not take a commission OR a fee (like Amuse). It’s hard to justify $50/album/year when DistroKid charges $20/unlimited songs/year and offers payment splitting. Extremely simple but so smart and saves both the company and the artist a ton of back and forth trying to sort out incorrect uploads. Amuse vs. AWAL vs. CD Baby vs. DistroKid vs. Ditto Music vs. FreshTunes vs. Horus Music vs. LANDR vs. ONErpm vs. RouteNote vs. Songtradr vs. Soundrop vs. You can simply start with the free plan at no cost whatsoever, then switch to the Premium plan if you start making enough money. These tools are meant to help grow your brand and exposure but are not cheap. They (well, at the time it was just 1 dude, Philip Kaplan) had just launched and had already received praise from Derek Sivers (founder of CD Baby) and Jeff Price (founder of TuneCore and Audiam). Now to SongTradr -- 1 year, originally in the free version but now paying $7.99 per month, and in that year I've had 44 (yes forty-four) licenses and counting, with another 20+ in the pipeline … If commissions are not something you are willing to hand over then ONErpm may not be for you. The article describes them as “Specialist aggregators serving primarily independent labels, and powerful independent artists. Essentially, the service is great for artists at varying stages of their career but also has a ton of upsides for more established artists as well. We are moving into an era of transparency. It should also be noted that CD Baby is listed by Spotify as one of their preferred distributors. Why is this a problem? Ok, deep breath. Complaints that the customer service is great ONLY UNTIL you pay them money, then customer service is non-existent. I’ve gotten to know Philip well over the past few years and he’s a great dude. You have to look at your own, personal situation and own, personal career to figure out what is best for you. At the end of the day all of these companies do one thing for sure and that is distribute your music to the major stores and platforms out there. This is certainly something that a lot of artists could benefit from. You don’t have to have millions of followers, but they are looking for artists with a following. If you’re wanting a leg-up in getting your music heard by industry insiders, Spinnup’s promotional services are well worth your consideration. They said it just wasn’t possible. CD Baby has been around the longest. The September 2020 reports in artists’ CD Baby account will reflect the fluctuating rate. CD Baby vs. Tunecore vs. Songcast vs. Onerpm vs. DistroKid vs Ditto Vs Symphonic Now, this is a comparison video with these digital distribution sites and music distribution companies.. Now what we are going to look at and comparing them on is price, the percentage sales they take, whether they give you an ISRC code. Kobalt is a very forward thinking (and powerful) publishing company. By far. But that’s another article for another time. We are working to get more details directly from the company and will keep you posted as we find out more. This is a class action lawsuit waiting to happen. They’re very easy to use, detailed and helpful. This company is based in Moscow, Dubai and London. It has gotten much more corporate, that’s for sure. While Songtradr is first-and-foremost a sync licensing platform, they do have a noteworthy distribution offering. Our ultimate music distribution comparison list is quite lengthy so we have provided you with links below allowing you to jump to specific companies and sections of the post. With that said, TuneCore excels in a number of key areas sporting features like publishing administration and arguably the best analytic reports in the industry. Helping Artists Navigate The Music Industry . Even though some of them offer “label services” they don’t own anything. They don’t seem to have a sustainable business model. Songtradr uses a 3rd party distributor out of Europe for the actual distribution. . Then Joel Andrew, President of CD Baby, who has been at the company 17 years, sat down with me to explain. No ownership. To be clear, CD Baby wasn’t keeping any extra money than their standard 9% commission. You will either have to apply to their platforms or they will seek you out and offer you a distribution deal. SoundCloud seems to have 9 lives and their latest announcement, introducing music distribution to major stores tells me they are not going away anytime soon. One thing I really want to stress is that by no means am I here to sway you into choosing a specific company over the other because at the end of the day there is no cookie cutter solution. The platform provides fully automated music licensingand presents the music to a worldwide marketplace. One of the key benefits of using ONErpm aside from distribution is that they do not charge you any fees to distribute your music. Also, If you are really focused on monetizing your YouTube videos then TuneCore has a feature to help you do just that. Lastly, artists looking for low cost features to help promote their music will really enjoy ONErpm. According to their website they are looking for artists with a track record of quality music which is well recorded. DistroKid’s customer support will say you can’t do certain things. It lost its human touch and now TuneCore feels cold and detached. With Distrokid, you have to upgrade your account and pay more in order to use different artist names. I checked. No commission. I’m using the past tense because Joel told me that CD Baby switched back to the 800 (or so) rate system so what CD Baby artists get paid now is much more accurate to what Spotify indicates they should be getting paid. A great article from Heroic Academy, that you can read, The Orchard - *Spotify Preferred Distributor, Grab The Moment: Part 2 of our Artist Spotlight Interview with JOWST, Grab The Moment: Part 1 of our Artist Spotlight Interview With JOWST, 6 Most Common Music Licensing Myths and Misconceptions, Perfect Life: Artist Spotlight With Baby C. And is focused around getting everyone paid their appropriate percentage (so you don’t have to deal with handling paying your collaborators). While Songtradr is first-and-foremost a sync licensing platform, they do have a noteworthy distribution offering. Songcast is an interesting platform and I must give them a lot of praise as they have made a ton of strides to improve upon their service offering compared to what it was a few years ago. In 2019, CD Baby (well, their parent company, In the most recent update of this article (10/15/2020), I revealed that. It is worth pointing out that this is one of the ONLY distributors run by a woman. I also like the additional label-type features that are offered to high performing artists. Manage multiple artists at a fraction of the price, Submit your music for placement on films, TV shows, and more, Only a 15% commission for YouTube Monetization, Educational articles to help you as an independent music, Discounts available to many other music industry services and websites, Limited distribution to only 44 stores/platforms, Pre-orders are only available through a manual setup, No built-in services for cover song licensing, Based only on an App (Convenient for some), Based only on an App (Not convenient for some), Have to upload music to the cloud then to the app, Does not obtain mechanical licenses for cover songs, Distribution to 200+ Stores including China, Other hidden fees found in terms & conditions, Pay more for less commission on your royalties, Have to pay for faster delivery of your releases. Landr is a solid platform for someone who wants the convenience of getting their masters and distribution done all in one place. Not a huge fan of this but they are not the only company to take on this type of commission model. However, we should mention that RouteNote does lack some of the more comprehensive features you find with other companies. If you are on a budget this can be very helpful. So, TuneCore has been around almost as long as CD Baby. Read on…Amuse vs. AWAL vs. CD Baby vs. DistroKid vs. Ditto Music vs. Fresh Tunes vs. Horus Music vs. Landr vs. Octiive v... Ari Herstand is a Los Angeles based musician, the founder and CEO of Ari’s Take and the author of. This just means that Spotify has a financial interest in seeing DistroKid succeed and that their partnership is a bit deeper now. The focus of Spinnup is very European – not UK or US. Despite our small team and relative newness (we launched in 2013), DistroKid has become one of the largest music distributors in the world. With that said though, you will need to be conscious of the 15% commission. In which case, going for a company that simply charges a fee would be my suggestion. They also look at your artwork, design, and the overall strength of your brand. And he’s a kickass drummer. Well, artists need to know where to spend their marketing dollars. Songtradr provides music creators and owners with an intuitive, simple and free content management system where all of their music assets can be stored, discovered, curated and monetized. DistroKid is the easiest way for musicians to get music into Spotify, iTunes, Amazon, Tidal, TikTok, YouTube, and more. Well, the co-CEO Lee Parsons did, for asking a question about royalty collection. They do a lot of pre-selection on their clients and attempt to work solely with people they think have potential, or a good marketing story. For distribution alone I think you will have a better experience elsewhere. Once acquired, my access to human beings got squashed and I had to go through a PR company to get answers – which took forever. Digital music distribution is the best way to deliver music to your fans and earn money. Taking into consideration all that Horus Music has to offer, one must admit that they are a solid platform. However I also think that you work very hard on your music and as you grow the more people will come looking for their piece of the pie. It’s completely data driven and artists have received $250 – $300,000 in advances from this program. Similar to companies like AWAL, the companies listed below are considered invite only distributors and will not just work with any and every artist. UM is positioning itself as a label services company to compete with Stem, AWAL, Symphonic, The Orchard, InGrooves, and Believe. They just surpassed 500,000 artists and have become a major player in the space. For the first time in history, people in. Where, if there is some traction on your songs, they’ll notice and, as many of them put it, “throw gasoline on the fire,” where they can put some marketing money behind it, plug it at playlists, push synch opportunities and other ways to help jumpstart your career. Songtradr is one the newest additions to this review and the music distribution game. There are plenty of companies out there that are willing and able to help you distribute your music. Horus Music is very tempting due to their feature set and the fact that they recently switched over to an annual fee with no commission certainly strengthens their case. No upfront fees, they only get paid when you earn. As a company built on a tech-first (digital) philosophy, Kobalt boasts that it pays twice as fast (and finds more money – sometimes 30% more) than the major publishing companies. For transparency, everyone I have worked with at AWAL has been awesome. The competition between music distributors is great for artists as not only do you have a ton of options to choose from, each company is trying to sweeten the deal in some way to earn your business. I’ve seen updated royalty reports and it seems they have worked out this issue for now. That’s not to mention the stiff commissions they take on publishing royalties, sync licensing, and YouTube monetization. Keep in mind that artists are not expected to have all of these attributes. And the company has now grown to nearly 300 employees in offices all over world including Argentina, Columbia, Mexico, Spain, Russia, Peru, Nigeria, Nashville, Atlanta, Miami, San Francisco, NYC, and 4 offices in Brazil. Our music is not pop. Four week distribution delay is longer than some of the other distributors. Founded in 2013, Distrokid sends music to over 150 stores and streaming services, and prides itself on the ability to distribute music to digital stores 10-20x faster than its rivals for a fraction of the cost. Songtradr is an online platform that connects artists and producers to TV, film, video games, among other potential buyers of their music. So that’s definitely something impressive worth noting. To be clear, CD Baby wasn’t keeping any extra money than their standard 9% commission. However, the flipside of this is that they do take a 15% commission. One of the founders used to study data analytics at Universal Music Group (Sweden), another came from Warner Music Group (Sweden), and their head of design used to work at Spotify. . They are both musicians with a lot of experience in the sync space. Soundrop isn’t meant to compete with the other services (like their sister CD Baby). You have to wait for three months to see your sales report. They are so new that they are still in the beta testing phase and looking for users to help them improve upon their innovative platform. While this is true to a certain extent, they have underground and less commercial artists on their roster as well. What seems to be Ditto Music’s downfall is there customer service and some negative backlash that they have gained from people in the industry. However, they lack many of the features and services available from their bigger competitors. That is a pretty strong case for anyone who is looking to eliminate costs on music distribution and doesn’t want anyone getting a commission on their revenue. Spotify recently purchased a stake in the company and lists Distrokid in the top three of their preferred distributors list. Now I’m not sure if you’re a Honda or Mercedes kind of person but let’s go find you the vehicle that will get you on your way to success with music distribution. How to Livestream for Musicians with the #1 Musician on Periscope... Paradigm Fired Them So They Started a New Booking Agency With... Former Major Label Executive is Creating a New Investment Model, Teespring vs. Printify vs. Gooten vs. Printful vs. Teelaunch: Best Print On-Demand Merch Companies for Musicians, CD Baby, TuneCore, DistroKid, AWAL, UnitedMasters…Who is the Best Digital Distribution Company for Music, How to Livestream for Musicians with the #1 Musician on Periscope – Clare Means, Audrey Nuna’s Path to a Major Label Deal with Her Manager/Producer Anwar Sawyer, Paradigm Fired Them So They Started a New Booking Agency With an Impressive Roster. They claim to be great at “throwing gasoline on the fire.” AWAL doesn’t offer much in terms of personal support from the get-go, BUT if you start to catch, they can offer you marketing support (money for PR, radio plugging, etc) and pitch you to playlists. that their streaming numbers looked a bit peculiar for the past year. Routenote Review. Even little nuances such as personal preferences will play a role in determining which distributor you decide to go with. If your music is earning you revenue and you need a fat upfront check (like an advance) there are royalty advance services out there like. A great article from Heroic Academy, that you can read here, goes into more detail on these types of distributors. A Spotify stream from a user in India also pays way less than a stream from a user in the US. However at the core of it all, you will need to find a company to distribute your music to a “Digital Service Provider” or “DSP” for short. Now to SongTradr -- 1 year, originally in the free version but now paying $7.99 per month, and in that year I've had 44 (yes forty-four) licenses and counting, with another 20+ in the pipeline awaiting supervisor approval. In the same way, they do not offer you any services to help you collect royalties from radio airplay, sync licensing, or other similar scenarios. Remember what I said about the culture and ethos of a company? Many of their clients make beats and Beatport is a major partner for Symphonic. However, with the fierce competition within the music distribution industry, you now have companies introducing models that charge no fees and take zero commissions. Can I use Songtradr if my music is already on Spotify or Apple Music? With every other distributor, this wouldn’t work because India pays so little (from Spotify), but paid so much from CD Baby. Higher than expected sales). It’s hilarious. Distrokid offers a much different distribution experience than Tunecore, and sells itself as being that company’s hipper, more affordable rival. If Spotify indicated that a song earned $.007 for a stream in the US from a premium subscriber, and $.0008 for a stream in India from an ad-supported account, CD Baby, didn’t pay these rates out to their artists. 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